TRACTION PROJECT SPACE
Traction is a new artist-led space developed by artist/curator Erika Cann, supported and housed within Positive Light Projects, on Exeter’s Sidwell St.
Set in the left hand side of the building's large street-facing windows, the gallery provides a flexible space to test new ideas and present work in all formats, in a 24/7 accessible location.
The gallery's focus is to develop ideas and to provide experience and support for young and emerging artists, showcasing high quality, critically engaged, contemporary visual art to a diverse audience in Exeter city centre.
The aim is to provide opportunities to artists at the early stages of their career, not only to exhibit but to access advice and guidance on the curation, marketing and presentation of their practice. The first year’s programme will stage 5-6 exhibitions, curated by invitation or selected by open call and will include an exhibiting opportunity for a Foundation Diploma graduate from Exeter College, selected during their end of year exhibition.
This kind of targeted support is a key part of the ethos of the space, complimenting that of the wider community support ethos of Positive Light Projects.
current and UPCOMING EXHIBITIONS
AIRING
LILLY CALDWELL
17 Nov 2024 - 17 Jan 2025
Preview: Friday 15 Nov, 6pm - 8pm
Lilly is a multi-disciplinary artist based in Devon. Through domestic materiality and form, she examines both interior and exterior environments to relay her deep-rooted feelings for the Devonshire landscape as an extension of home, a place of comfort and therapy. Usually seeking out both their common ground and tensions, Lilly presents a reconfiguration or deconstruction of these environments within a gallery space or at a specific site. Lilly’s playful re-placement of artwork, both domestic and rural, in the Devonshire landscape and the gallery enables her to explore the dissipation of the boundaries between interior and exterior spaces.
‘My practice continually gathers many layers of meaning and purpose. These layers allude to escapism, permanence and impermanence, grief, the therapeutic, domestic, and site-specific storytelling. These layers are in tension with one another but also have a point of cohesion as they all reflect my codependent ecology with the Devonshire landscape and natural environment. I explore these layers through photography (both analogue and digital), sculpture, textiles, painting, and print.’